The most difficult thing about painting is the self-discipline. When I finish a job, I give myself a few days, but then I have to discipline myself quite fiercely if I want to do some painting that's worthwhile. Otherwise, you're just doodling. It's much easier when you're just told what you have to do.
I think love can be really tough. Because it involves ultimately an honesty to the nth degree that you are capable of. Once said, you've lost your deposit. It's best if you don't say it.
I was completely crazy and mad when I was young. I was absolutely in love with the dissolute.
Each day, as you get older, there is a new perspective on life. It's a progression of some sort.
Society is constantly recalibrating, redefining what it considers to be moral and immoral.
I turn up in Los Angeles every now and then, so I can get some big money films in order to finance my smaller money films.
Don't forget there are two sides to performing. Finding the truth, but you also have to be transparent enough for the audience to see it. How many times have you seen a performance and thought: 'Well, it seems to be meaning a great deal to you but it ain't coming across to me?' It is to be shared.
Also the wonderful thing about film, you can see light at the end of the tunnel. You did realise that it is going to come to an end at some stage.
As Beckett said, it's not enough to die, one has to be forgotten as well.
My father's a clergyman, and he was in the mission field for a certain amount of time in British Honduras, which is now Belize.
Pretending to be other people is my game and that to me is the essence of the whole business of acting.
I am not an enormous believer in research being the be-all and end-all. I get suspicious when I read about actors spending six months in a clinic, say, in order to play someone who is sick.
I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.
I put everything I can into the mulberry of my mind and hope that it is going to ferment and make a decent wine. How that process happens, I'm sorry to tell you I can't describe.
Things come in a quieter way to me. It's not laziness, and it's not diffidence. I just know how far you have to bend for work. That's important for me.
We are all racing towards death. No matter how many great, intellectual conclusions we draw during our lives, we know they're all only man-made, like God. I begin to wonder where it all leads. What can you do, except do what you can do as best you know how.
You can't lose your concentration at all. And there are times when you're on the stage, and you've got silence, which is wonderful, but you have to have the confidence to make you realize it's fine. You can't suddenly wobble and think, 'They're not interested.'
Film is not literature - the image on screen is the information you get.
I have lots of favourite memories but I can't say that I have a favourite film.
I like the physical activity of gardening. It's kind of thrilling. I do a lot of weeding.